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Visualizzazione post con etichetta On the Wall. Mostra tutti i post
Visualizzazione post con etichetta On the Wall. Mostra tutti i post
giovedì 12 settembre 2024
martedì 11 aprile 2023
martedì 3 gennaio 2023
lunedì 20 settembre 2021
EASTWOOD IS GOD
EASTWOOD IS GOD
Temple City, Calif.
IN A WORLD WHERE A SINGLE ARTISTS Vision is increasingly blurred in a storm of art-by-committee, it is refreshing to read about Clint Eastwood [“Any Which Way He Can,“ April]. Time has vindicated him
for sticking by his guns and for his vision of himself as an artist. He doesn’t even stoop to telling his critics, “I told you so !" He lets the results do that for him. Let`s hope we all see a lot more of him before he
decides to ride off into the sunset.
North Hollywood, Calif.
IT IS REALLY AMAZING THAT TWENTY YEARS ago, most critics viewed Eastwood's acting as stiff and hopelessly wooden and his films as incessantly violcent exercises of redneck fascism. Now the same intellectually constipated, artistically myopic sycophants have anointed him the new god of American cinema. Thanks for taking decades to find out what his fans have known all along: Eastwood is a major talent to be reckoned with.
R. D. Myers
Kansas City, Mo.
PREMIERE JULY 1993
READER RESPONSE, LETTERS
domenica 13 ottobre 2019
domenica 13 gennaio 2019
Cinema sui muri - Pinky
"One of the first serious celluloid statements about the problem and perplexities of race in America" W. Scott Poole
Elia Kazan, Pinky, 1949
mercoledì 28 novembre 2018
Cinema sui muri - Vittorio Cottafavi
Vittorio Cottafavi
1914 - 1998
La rivolta dei gladiatori, 1958
Messalina Venere Imperiale, 1959
Le legioni di Cleopatra, 1959
La vendetta di Ercole, 1960
Ercole alla conquista di Atlantide, 1961
Le vergini di Roma. 1961
I cento cavalieri, 1964
mercoledì 7 novembre 2018
lunedì 22 ottobre 2018
mercoledì 26 settembre 2018
Cinema sui muri - Raffaello Matarazzo
Fumeria d'oppio - 1974
Il tenente Giorgio - 1952
Chi è senza peccato - 1953
Vortice - 1953
La nave delle donne maledette - 1954
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